The third edition of to | da y to morr ow pairs two emerging voices working at the seam of perception and projection, memory and imagination. HYEPAK (Hyejin Park) uses vivid inflatable sculptures to probe foreignness as an aesthetic and social condition shaped by the gaze, technology, and affect. Pauline Simon’s installations distill everyday phenomena into precise studies of perception where time, space, and memory interlock. The exhibition becomes a test site: for Park, an interface‑landscape that activates contact zones between human and nonhuman agents; for Simon, a phenomenological screen where remembered space reenters the present as lived experience.