The artist Ilit Azoulay is a storyteller. She works meticulously with a macro camera, searching for hidden details and previously overlooked traces, recording finds from different periods and weaving them into polyphonic stories.
Under the title “Stopover,” Azoulay initially focused in 2024 on the Nazi history of the temporary quarters of Villa Stuck on Goethestraße, which served as forced accommodation for persecuted Jewish people. For “No Single View,” the research now shifts to Villa Stuck and the people associated with the house at Prinzregentenstraße 60. In a 3-channel installation, Azoulay tells a kaleidoscopic story of Mary Stuck, the artist’s only biological daughter. The artist intertwines her research on Stuck’s family with her findings in a series of new photo collages created especially for the exhibition.
Curated by Helena Pereña.